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Thursday, November 21, 2024

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: Written by: Ryan Coleman; Created: 15 October 2012

Boulder 1060 Boulder has been making amplifiers since 1984, and the model 1060 stereo amplifier, the subject of this review, has been in continuous production since 1999 -- in stark contrast to the upgrade cycle of three to four years that some manufacturers have made part of their business strategy. While the name Boulder comes from the company’s site of operations, in Colorado, I think most folks would assume it reflects their products’ weight -- the 1060 closes in on 140 pounds (with no handles to assist in positioning it . . . ugh!).

: Written by: Ryan Coleman; Created: 01 October 2012

SMc Audio VRE-1C Reference The high-end audio industry is a niche market; always has been, and I suspect it always will be. Annual production runs for kilobuck CD players can be measured in dozens of units, in stark contrast to the thousands or tens of thousands made by a Sony or a Bose. But those industry monsters have marketing departments and distribution systems that span the globe. Contrast that with high-end audio, where many products are the results of efforts by a single driven person.

: Written by: Michael Wright; Created: 15 September 2012

Select Component Last fall, I was talking to Gilbert Yeung, Blue Circle Audio’s founder and chief designer, about an amplifier he was working on. He felt it was something special. He told me he’d soon be in my area, and asked if I’d like to hear it.

Blue Circle Audio NSL Yeung came by with an unnamed prototype. When he told me that it generated only 18-20Wpc, I told him I didn’t believe it, and that even if it were true, I didn’t want to damage the amp by overdriving it. He invited me to give it my best shot. I smirked and thought, So be it.

: Written by: Peter Roth; Created: 01 September 2012

Select Component It’s said that a boy does not truly become a man until his father dies. I can’t confirm the truth of that adage -- my own father is alive and well -- but I’ve found that certain life-altering experiences have triggered new levels of responsibility, capability, and growth. I felt more a man after marrying my wife 15 years ago, and even more when my children were born. I suspect that when my parents shuffle off this mortal coil, another era of manhood will begin for me.

ARC Reference 250 Having been imbued with a set of core characteristics by founder William Zane Johnson, Audio Research Corporation was raised well, and was ready to live on its own when its progenitor approached his end. Many hi-fi manufacturers -- even some industry stalwarts -- begin, thrive, and ultimately die while still riding on the shoulders of their founders. Not so ARC. Few companies in high-performance audio have a longer history or a greater pedigree. Johnson retired in 2008, handed over the reins, and set ARC free. He died in late 2011.

: Written by: Uday Reddy; Created: 15 August 2012

Select Component VSA VR-35 I’m the envy of all my audiophile/home-theater buddies because I have my own dedicated sound room. It may not reach the heights of Jeff Fritz’s Music Vault, but it’s a great-sounding room and I don’t have to share it with anyone. Most audiophiles have to deal with the Wife Acceptance Factor (sorry, ladies, but almost all of us are guys), or settle for a system that does both audio and home-theater duties. Unless you have built-in, wall-mounted speakers, there’s going to have to be some compromise with speaker placement in the name of marital harmony. While Albert Von Schweikert may not have had the WAF primarily in mind, he did bring all his technical expertise to bear on the issue of a less obtrusive, against-the-wall type of speaker that would satisfy audiophile and spouse.

: Written by: Daniel Barnum; Created: 01 August 2012

Vitus SM-010 Vitus Audio electronics have impressed me at every trade-show exhibit at which I’ve heard them. VA always shows its strengths and sonic character while allowing the associated loudspeakers, cables, and ancillaries to shine. Typically, I would saunter into the room, get a first impression of the sound, then anchor myself and thoroughly enjoy the music as I worked out fantastic schemes to get the Vitus gear into my system. Cost or logistics didn’t matter -- I had to have them. Luckily, I didn’t have to follow through on my plots; I got my wish, at least for as long as it takes me to prepare this review: I’m listening to Vitus Audio’s SM-010 monoblock amplifiers ($45,000 USD per pair) in my home system.

: Written by: Howard Kneller; Created: 15 July 2012

YG Acoustics Kipod II Signature Select Component If you fancy the audiophile rags (and if you're reading this, you likely do), chances are you've heard of high-end speaker maker YG Acoustics. A while back, YGA caused a stir with an ad campaign that proclaimed its speakers "The best . . . on Earth. Period."

That's a brash statement from any manufacturer, let alone one that's extremely small (YGA currently employs only about ten people) and is barely ten years old. Not surprisingly, lots of people, including many reviewers, were taken aback. However, after listening to the company's wares, more than a few people have concluded that the statement isn't entirely hype.

: Written by: Doug Blackburn; Created: 01 July 2012

Select Component Vandersteen Audio Treo Vandersteen Audio is one of the survivors: a now-classic audio brand whose first product was the Model 2 loudspeaker, in 1977. In all those years, many flavor-of-the-month loudspeaker brands have come and gone, and most that have gone have deserved that fate.

A company doesn’t stick around for 35 years by accident -- it lasts because it makes products that people want, and has stood behind its products all that time. For many years, with his Models 1, 2, and 3, founder-owner Richard Vandersteen focused on maximum performance for the dollar. Updates for these models were issued regularly over the years, and for a long time they were Vandersteen’s core business. All featured essentially the same look: top and bottom caps of wood, and four side panels covered with an acoustically transparent cloth sock. Vandersteen’s thinking was that good-looking wood cabinets are expensive and add nothing to a speaker’s performance. Avoiding expensive wood finishes let him engineer better sound into his speakers than other companies could put into speakers at similar prices with real-wood finishes.

: Written by: Peter Roth; Created: 15 June 2012

Select Component Magico Q1 When any audio component comes in for review, it’s usually several weeks before its true nature begins to fully reveal itself. Familiar recordings of different musical styles, placing different demands on a playback system, are selected to tease out the character and capabilities of the device under test. But every once in a while, the initial impact made by a component is so clear that it stands out in stark relief from the rest. In those rare circumstances, the hundreds of tracks played in the following weeks serve only to confirm that initial impression, rather than blaze a circuitous trail to its real character, hitherto unrevealed.

: Written by: Michael Wright; Created: 01 June 2012

Hemingway I enjoy doing cable reviews . . . but nothing seems to get audiophiles more stirred up than criticisms of their speakers or cables. Critiques of anything else seem permissible, but cables and speakers . . . say the wrong thing and you’ll get e-mails for weeks. I know this because I visit audio forums and message boards, and I read what the cliques have to say about what reviewers have written about their favorite cables. A lot of the time, what these folks seem to forget is that reviewers need to use a unique set of standards in choosing cables.